The obligation to endure

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"The Obligation to Endure" by Rachel Carson is an essay which highlights how modern chemical practices can lead to serious environmental and health problems. Within past and present centuries man has acquired significant technology to alter the world. The author would like to point out that we cannot go on living as we now do. Taking nature for granted can ultimately lead to man's and nature's end.

It is my opinion that the title of this essay is both appropriate and clear with its meaning. The essay starts out with the statement "The history of life on earth has been an interaction between living things and their surroundings" (Carson, pg. 57). On the other hand, it closes with "The obligation to endure gives us the right to know" (Carson, pg. 6). These are good statements that give the reader an idea of what can be expected. However, there were times when it seemed as if the author was backing up her opinion with facts that were not necessarily factual. For example, "I contend that we have allowed these chemicals to be used with little or no advance investigation of their affect on the soil (Carson, pg. 6) is totally false. Chemicals have to be tested for a minimum of seven years before they can even be marketed.

In my opinion, this essay has some good statements but also has some bad ones. For example, chemical companies spent millions of dollars on research of their product and its effect on the environment. That is a huge part of why chemicals cost so much. The chemical companies have to be able to cover their bottom line. The truth is that farmers hate using chemicals because of their costs. If farmers didn't use chemicals farmers would not be ably to produce enough food for the world's population. The United States farmers are held to the highest standard of environmental laws. I think that if the author did a little more research she would see that things aren't as bad as she thin

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Body image

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Shes skinny, perfectly proportioned-with beautiful hair, glowing skin, fabulous makeup, and the best clothes that money can buy. This is an ideal that majority of us strive to achieve. But it sets a standard that leaves most of us feeling inadequate and unsatisfied with the bodies that we have. Whatever our beliefs about the exploitation of women, we must all be aware that society - and especially the media - portray an image of women that is both unrealistic and potentially unhealthy for the vast majority of women.

The media encourages and mirrors the current mainstream cultures standards for body shape or size and importance of beauty. The media reflect images of thinness and link this image to other symbols of prestige, happiness, love and success for women. Repeated exposure to the thin ideal using the various media can lead to the internalization of this ideal. It also renders these images achievable and real. Until women are confronted with their own mirror images they will continue to measure themselves against an inhuman ideal.

Overwhelmed by media images of skinny models, young girls are growing up convinced that being thin is the key to love and acceptability. The average person sees between 400 and 600 ads per day, that is 40 million to 50 million by the time she is 60 years old. One of every 11 commercials has a direct message about beauty. The average American model is 5 foot ten, and 107 pounds. The average North American woman is 5 foot four and 14 pounds. So what we show is not what we really are, (Hertz). Experts say the best defense against eating disorders is high confidence, something teenagers greatly need. They also put importance on the significance of young girls evaluating themselves in different ways other than their weight and to recognize the images they see in the media are often unhealthy and impracticable.

A negative body image is a universal problem, a common struggle many of us share. To end the rotation of destruction, though, we must realize that even though others opinion of ourselves may have shaped and programmed our current ideals of the perfect body image, we are in control of our minds. We have the power to reshape these ideals into healthier and more positive ways of thinking about our bodies.

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Shades of clear

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Shades of Clear

In the paper "What Color is Your Paradigm?" by Jim Sollishch, Jim unwillingly, unconsciously, and unintentionally proves (to me at least) that he is a very competent father and teacher.

The paper isn't about being a good father though and Jim isn't even technically a teacher. His paper is about paradigms. Now Jim did not give a clear definition within his paper as to what a paradigm technically is. So I decided that this was worth getting a dictionary out for. I guess fate disagreed, for the dictionary has seemingly gotten up and walked away. That's ok even if the technical definition isn't clear to me, I think the concept is. A paradigm is either something that you can look at differently or it's the actual act of looking at something differently. In Jim's paper he plays the Sesame Street game "One of these things doesn't belong" with his three kids. The objects in question were an orange, a strawberry, and a tomato. Jim's oldest child says it's the tomato because it's a vegetable. Jim's middle child says it's the orange because it's not red. Jim's youngest child says it's the strawberry because the other two are round. Each one of his kids seems to have the right answer, but each one of his kids has a different answer. None of them got the question wrong they just all looked at the question differently. They made a paradigm shift.

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Trying to find Jim's thesis wasn't easy. After the first few paragraphs (even more than halfway through the paper) you get the impression that the thesis is simply that paradigm shifts exist. Yet once you read about /4 of the paper you then come to its real thesis, that "there are real limits to the value of information". Jim states that some of our greatest discovery's were not dew to an abundance of information but to a simple change in perception. I find Jim's paper to be enjoyable and smart. Seemingly its sole purpose is to make you think. And what a lovely little purpose that is. I find his thesis to be unquestionably true and his purpose to be extremely noble.

This is a man who deserves to have children. Too many parents when presented with a paradigmatic response to a question would say "What, are you stupid? Stop acting so smart!" The damage that a parent can cause on their child is immeasurable. What you put in is what you get out. If you expose your child to openness you get an open-minded child. If you expose your child to narrow mindedness you get an narrow-minded child. It is important for a parent to believe in their children. It gives the child confidence which is one of the building blocks of greatness. In some situations a lack of faith in one's child could possibly be a positive thing. It could give them motivation to "prove them wrong" yet at the same time it would destroy any chance of a positive relationship. The position of inspiring naysayer should be reserved for Fucking assholes, not parents.

Jim is definitely a parent who believes in his children. He compares them to Copernicus (the man who realized that we revolve around the sun), Edward Jenner (the man who discovered a vaccination for small pox), and Albert Einstein (the man who is regarded as this century's most prolific paradigm shifter).

Jim also compares his children to Reuben Mattus, the creator of Haagen-Dazs. This is a comparison that I don't think really works for his thesis but it does work for mine. You see, a child is like an unwritten book. In the early stages of life the world around them (namely the parents) are the authors. It's important that those parents (authors) who are themselves also books, have some good pieces of knowledge to paraphrase for their children. In other words it's important that one's parents know things. Jim Sollisch seems to know things. He knows somewhat trivial things, like who invented Haagen-Dazs (yet that is still a very impressive and rare piece of knowledge). And he also knows all about more important things and people like Edward's life-saving paradigm shift, stating that "instead of studying people who were sick with the pox, Edward began to study people who were exposed to it but never got sick. He found that they had all contracted a similar yet milder disease, Cow Pox, which vaccinated them against the deadly Small Pox". Jim not only knows about these people and their discoveries he knows all about how they did what they did. Fuck, that's what his paper is all about, paradigm shifts. And that is a very useful piece of knowledge.

Jim goes on to state an all too true fact. Our school systems defiantly don't teach paradigm shifts. I know I was never taught about paradigm shifts, even in high school. Yet I somewhat see why they don't teach it to us {at least at an early age). Well, first of all they don't want a bunch of trouble-making question reframers running around. But more to the point they don't want us to lose focus of what their teaching, because that's what their teaching, focusing. Focusing is one of the most essential things that you can teach a child, and that's why they do it. Shifting paradigms is also extremely important, but only on the road to greatness. Actually now that I think about it, they do teach about paradigm shifts in school, that's where I learned it (from this paper actually). And that's good and all but I deeply feel that it needs to be taught to younger kids. Albert Einstein was a genius and yet he was a failure in school. I'm sure there are plenty of geniuses that don't make it to college. Who's going to teach them about paradigm shifts (although the term "paradigm shift" is just a label for the actual process of thinking differently. And the term doesn't need to be known to use the process, but it sure helps.)? Who's going to teach it? I'll tell ya, Jim Sollish, that's who. The man who deserves to be a father. The man who stands for things. Most notably that "tomatoes will always be vegetables!" I salute you, Jim. You da man, man. You da man, man.

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HURSTON's sweat

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Hurston's "Sweat" is about the struggles and hardships in the life of African American woman living in the south. There is also a great deal of adultery in relationships and the dishonesty and heartache it brings into a relationship. The short story not only makes us aware of what some woman must go through but it also gives woman the courage and strength to stand up to their husbands and defend themselves. The physical and mental abuse given to women by their husbands was not necessary. Although the women could not endure it anymore, they had to put up with it. Divorce for them was not much of an option. Women were not wealthy enough to run off with their children and support themselves. Back in these times, most women did not work, their husbands spent their days working and the wives at home with the children. In one part of the story, Delia is in the kitchen and Sykes comes in verbally abusing her, Delia responds "Looka heah, Sykes, you don't gone too fur. Ah been married to you fur fifteen years, and Ah been takin' in washin' fur fifteen years. Sweat, sweat, sweat! Work sweat, cry and sweat, pray and sweat!" She then picks up an iron skillet to defend herself form him. By Delia's actions and her words, Sykes is surprised and doesn't say much in response. He simply leaves her alone and walks off. This part of the story gives women as well as men a sense of encouragement and strength to overcome and stand up to abuse. Delia was finally tired of the abuse and bad treatment. With the abuse she also had to deal with the fact that Sykes was cheating on her with another woman. Although she knew he was cheating on her she stayed with him because she felt as if she couldn't find anyone else. Because of her low self esteem, she stayed with her husband although she was mistreated and abused. Hurston revealed the role of women at a time where women had no voice. She provided women with another way to fight against abuse. Delia's character shows strength and bravery women need to have to endure abuse.

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The Person I am In My Dreams

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The Person I Am In My Dreams

The person I am in my dreams

is taller and more built than I am.

Not with humongous muscles that makes me look deformed,

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but enough to show through the shirt a little;

with a somewhat visible six-packs, unlike the keg I have now.

The person I am in my dreams has very shimmering black hair that flows in the wind, unlike mine, which just flies in the most disorderly fashion.

Or it could be slightly gelled to make my hair look artistic.

The person I am in my dreams

has a set of eyes with a fiery glaze that sees right through people~{!/~}s lies and dishonesty, and clearly distinguishes friends and foes.

Yet at other times, shimmering with happiness and liveliness,

not hidden behind thick specs like mine are.

The person I am in my dreams

Treats his friends with dignity and respect, instead of with distrust and suspicion, like me

always thinking that someone might be trying to screw me over.

The person I am in my dreams

is very understanding and sympathetic, unlike the actual me

who gets easily frustrated with my friends~{!/~} screw-ups.

The person I am in my dreams

does not gibe contently at other people while feeling hurt when the joke is on me.

The person I am in my dreams

would not be cheap like me, trying to spend as little as possible on my friends,

while demanding as much as possible from them.

I still owe my friends a lot of money.

The person I am in my dreams

faces his problems with courage and valor, instead of running away like I always do.

The person I am in my dreams

writes better than I do; every pen stroke is like the drawing of an artist,

so graceful and elegant.

The person I am in my dreams

think of schoolwork as a game, instead of as a punishment;

he would not be writing an English poem while chatting online simultaneously.

The person I am in my dreams

will always be a person in my dreams;

it will never be me.

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Bernini

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The Baroque sculptor and architect Gian Lorenzo Bernini was born in Naples on December 7, 158 in Naples, son of the Florentine painter and sculptor Pietro Bernini. In 1605 Pietro Bernini, Angelica Galante, and Gian Lorenzo

Bernini moved to Rome. Bernini started making art at a very young age. According to Filippo Baldinucci Bernini made his first sculpture at the age of eight. From his Florentine father he inherited his innate facility in

wielding a chisel, in shaping stone as though it were as "malleable as wax" or "pliable as pasts"; perhaps it was from his Neapolitan mother that he derived his volcanic personality and dramatic flair- "fiery in temperament, constant in work, and passionate in his wrath," said Filippo's son Domenico (Scribner). Bernini spent years drawing copies of classical masterpieces

(Scribner). Carracci, Caravaggio, Laocoon, Pietro Bernini, and Michelangelo influenced Bernini.

Berninis first patron was the nephew of Pope Paul V, Cardinal Scipio Borghese, for whom he executed the four famous sculpture groups in the Borghese Gallery. The most famous of the four is his David. David defeated the giant Goliath with stone and a sling. There were artists before Bernini that took on the task of sculpting a David. The most considerable are Donatello, Verrocchio, and Michelangelo. Although they all sculpted David, the sculptures are drastically different from one another. Each one is unique in its own certain way.

Baroque art desired to evoke emotional states by appealing to the senses, often in dramatic ways, underlies its manifestations (ibiblio). Some of the qualities most frequently associated with the Baroque are grandeur, sensuous richness, drama, vitality, movement, tension, emotional exuberance, and a tendency to blur distinctions between the various arts (ibiblio). Many of these Baroque qualities are present in Bernini's David. Donatello and

Verrocchio depicted David at rest after he killed Goliath, Michelangelo, by contrast, presented David before the battle, with the tension and emotion evident in every vein and muscle. Bernini does not depict David before or

after the fight. Instead, he shows him in the process of the fight. This represents the element of time in his work. The views are forced to complete the action that David has begun for us.

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Writing is Another Form of Language

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Writing is Another Form of Language

The article "Facts and Fantasies About Language," states that, "People feel that a language which has never been written is not really a language at all". This statement seems to be a fantasy which is far from fact. What is language? Why do people feel that a language which has not been written is not really a language? This fantasy concerns language with the relation of speech and writing.

Webster defines language in two ways, "1.) Words with their pronunciation, and the methods of combining them used and understood by a community. .) A systematic means of communicating ideas or feelings by the use of conventionalized signs, sounds, gestures, or marks having understood meanings". According to the two definitions, language has very little to do with the written form, however, writing can be a form of language, but language is based on understanding forms of communication. In recent studies there are over 6,800 different languages. Over half of theses languages have no written form. It would be severe to say that theses non-written forms of speech are not languages.

Then why do people feel a language which has never been written is not really a language? What "people" feel this? The people with speech and a system of writing for their speech may feel this. The written part of a language is just its structure with grammatical rules. The structure and grammatical rules allow people to learn and understand a language. But the writing does not make the language. It is the understood form of communication between people.

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Language is used everyday. The term can be used in many different senses. Some people use language to refer to speech forms that share similar vocabulary, and dialect to refer to speech forms. Or they may consider varieties to constitute the same language which have similar structure and grammatical systems. Which ever way people decide to communicate, it is all considered a form of language

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